Kristen Cochrane examines the vaporwave aesthetics of new film, The Neon Demon, and makes an argument for why the color pink can be transgressive. Continue reading “The Neon Demon’s Vaporwave Aesthetics and The Reclamation of “Female””
Kristen Cochrane examines the vaporwave aesthetics of new film, The Neon Demon, and makes an argument for why the color pink can be transgressive. Continue reading “The Neon Demon’s Vaporwave Aesthetics and The Reclamation of “Female””